Robert Lynch, head of Americans for the Arts, was in town yesterday to give a speech at the 30th annual Arts, Business, Education Consortium luncheon. He stopped by COPPeR in the morning to tell a group of us how Americans for the Arts develops broad-based arts advocacy nationwide.
Thursday, April 16, 2009
Tuesday, April 14, 2009
Bob Pinney, The Rest is Silence
The Colorado Springs theater community lost a shining star this past weekend. Bob Pinney, actor, teacher and friend, passed away quietly.
Beth Clements-Mosley remembers him:
The world that died with Bob Pinney was vast and colorful, rich and elegant… and much of it was private - quietly lived moments both tragic and excellent.
I was privileged, as many of us were, to be part of that wonderful world, and to have Bob in ours. In each line of Shakespeare I recite, in my awareness of gesture, Bob lives. Each time I enunciate ‘FOR-GET’ rather than ‘fergit’, Bob’s voice, ponderous and gravelly, is heard again. In my life as an actor, moving from role to role, in my telling and retelling of stories, my fond recounting of stage disasters and profound moments, Bob will always be present, informing my journey. In my understanding of what it is to be loved though one’s family is far away, to live alone but not to be lonely, Bob is there.
My experience with him as a young actor taken under his wing, groomed and nurtured, is not unique. Always the teacher, Bob loved new talent and did whatever he could to encourage and advocate it. He was always one of my strongest supporters and biggest fans, and I, among many others, adored him. I remember being shocked during Dracula (Theatreworks, 1991) when Bob, playing Van Helsing, actually cut his finger every night with a hidden Exacto blade to tempt the Count (Rick Zahradnik) with his blood. He spared himself nothing in his quest to offer the audience everything.
Bob spent his 70th birthday in a tent playing King Lear, a role he had yearned to inhabit for many years; it was my great honor to share that experience with him. The entire run was amazing, but that night was… magical: the air was electric. At the moment Lear was cast out onto the heath, one of the most powerful scenes in English-speaking theatre, as the first storm cue sounded, real thunder began to rumble in the distance. As Bob raged and wept, imperious and heartbreaking, the rest of the cast stood amazed as lightning blazed across the sky and rain pounded the tent… for exactly as long as the scene went on, relenting the instant he left the stage. I will believe for the rest of my life that Shakespeare was there with us that night and that the storm was Bob’s birthday gift, a reward for a life spent in devotion to the theatre.
Over the last few years it became clear that his poor body was no longer able to house the enormity of him. During the Scottish Play in 2005 there was a terrible moment in which, playing the Porter, marvelous as always, he was unable to find his way off the stage, frantically feeling his way along the curtains to find the exit. Those of us backstage realized what was going on and reached out from behind the blacks to grab his hands and guide him; later the understanding of it wrote itself across our faces as we all looked at each other and tried not to know the truth: the great instrument was failing. He bore it with grace and without fear, exceeding his doctors’ expectations and offering more comfort than he required... and then, quietly, he was gone.
He was a huge talent, a tireless mentor, a dear friend, a gracious host and a wonderful chef who showed his affection with corned beef and cabbage or gourmet birthday cakes. He understood sorrow and offered comfort whenever he could. He was fervent in his praise, generous with advice, gentle but truthful in his criticisms, blunt in his admonishments. I was fortunate to have almost two decades with him – countless moments to cherish, too numerous and precious to recount here. I loved him, and ache to think of never hearing his laugh again.
He was… extraordinary.
Your cause of sorrow must not be measured by his worth, for then it hath no end.
– Macbeth
Beth Clements-Mosley remembers him:
The world that died with Bob Pinney was vast and colorful, rich and elegant… and much of it was private - quietly lived moments both tragic and excellent.
I was privileged, as many of us were, to be part of that wonderful world, and to have Bob in ours. In each line of Shakespeare I recite, in my awareness of gesture, Bob lives. Each time I enunciate ‘FOR-GET’ rather than ‘fergit’, Bob’s voice, ponderous and gravelly, is heard again. In my life as an actor, moving from role to role, in my telling and retelling of stories, my fond recounting of stage disasters and profound moments, Bob will always be present, informing my journey. In my understanding of what it is to be loved though one’s family is far away, to live alone but not to be lonely, Bob is there.
My experience with him as a young actor taken under his wing, groomed and nurtured, is not unique. Always the teacher, Bob loved new talent and did whatever he could to encourage and advocate it. He was always one of my strongest supporters and biggest fans, and I, among many others, adored him. I remember being shocked during Dracula (Theatreworks, 1991) when Bob, playing Van Helsing, actually cut his finger every night with a hidden Exacto blade to tempt the Count (Rick Zahradnik) with his blood. He spared himself nothing in his quest to offer the audience everything.
Bob spent his 70th birthday in a tent playing King Lear, a role he had yearned to inhabit for many years; it was my great honor to share that experience with him. The entire run was amazing, but that night was… magical: the air was electric. At the moment Lear was cast out onto the heath, one of the most powerful scenes in English-speaking theatre, as the first storm cue sounded, real thunder began to rumble in the distance. As Bob raged and wept, imperious and heartbreaking, the rest of the cast stood amazed as lightning blazed across the sky and rain pounded the tent… for exactly as long as the scene went on, relenting the instant he left the stage. I will believe for the rest of my life that Shakespeare was there with us that night and that the storm was Bob’s birthday gift, a reward for a life spent in devotion to the theatre.
Over the last few years it became clear that his poor body was no longer able to house the enormity of him. During the Scottish Play in 2005 there was a terrible moment in which, playing the Porter, marvelous as always, he was unable to find his way off the stage, frantically feeling his way along the curtains to find the exit. Those of us backstage realized what was going on and reached out from behind the blacks to grab his hands and guide him; later the understanding of it wrote itself across our faces as we all looked at each other and tried not to know the truth: the great instrument was failing. He bore it with grace and without fear, exceeding his doctors’ expectations and offering more comfort than he required... and then, quietly, he was gone.
He was a huge talent, a tireless mentor, a dear friend, a gracious host and a wonderful chef who showed his affection with corned beef and cabbage or gourmet birthday cakes. He understood sorrow and offered comfort whenever he could. He was fervent in his praise, generous with advice, gentle but truthful in his criticisms, blunt in his admonishments. I was fortunate to have almost two decades with him – countless moments to cherish, too numerous and precious to recount here. I loved him, and ache to think of never hearing his laugh again.
He was… extraordinary.
Your cause of sorrow must not be measured by his worth, for then it hath no end.
– Macbeth
Friday, April 10, 2009
Week in Review
Things I've found inspiring this week:
National Poetry Month officially kicked off with the release of Pikes Peak Poet Laureate Aaron Anstett's project. The Poetry While You Wait booklet features 40 local local poets. The books are being placed in waiting areas and lobbies. Want a copy? Stop by COPPeR's offices to pick some up--just promise to distribute them at your hair salon, doctor's office, mechanic, vet, or any other place people wait. Table tents and posters featuring poems from the booklet are also being disseminated at restaurants, businesses, and in storefront windows. KRCC is also airing high frequency, daily poems from the collection read by the poets themselves.
When you stop by our office (corner of Colorado and Tejon in downtown Colorado Springs, across from McKenzie's in the Plaza of the Rockies), you can also visit the beautiful and serene Call and Response exhibit in the Fine Arts Center MODERN. The exhibit features a number of lovely poems on beautiful handmade paper. There's also an interactive walll where you can contribute your own poetry.
Kevin Johnson, your friendly PeakRadar.com manager, took a great art-lunch tour this week. Check out his posts on twitter by following on @PeakRadar.
This morning I stopped by Celebration Place in the Citadel mall. They have expanded their gallery space into the now-vacant Steve and Barry's across the hall. Pieces from the 47th Annual Young People's Art Exhibition (this week it's K-1; high school entries go on display next week) are now in the huge Steve and Barry's open space. It's a completely refreshing, unexpected place to see artwork. Kudos to the Citadel for letting Imagination Celebration program the space--it seems to me that this could serve as a great example to all the vacant storefronts in malls, downtowns and strip-malls across the country. If you're in the Citadel, make sure you stop in.
These are just a few reminders that art can be found everywhere. It is deliberately and delightfully planned, as above, but it is also in the landscape of the built and natural environment. It is in the design behind our home decor. It is in the clothes we wear. It is in the stories we tell each other and the way that we can make each other laugh.
I'm off to celebrate the life of a person who understood that. Timber was weird, wacky and wonderful. The lesson to the rest of us? Acknowledge the weird, wacky and wonderful inside you and all around you.
National Poetry Month officially kicked off with the release of Pikes Peak Poet Laureate Aaron Anstett's project. The Poetry While You Wait booklet features 40 local local poets. The books are being placed in waiting areas and lobbies. Want a copy? Stop by COPPeR's offices to pick some up--just promise to distribute them at your hair salon, doctor's office, mechanic, vet, or any other place people wait. Table tents and posters featuring poems from the booklet are also being disseminated at restaurants, businesses, and in storefront windows. KRCC is also airing high frequency, daily poems from the collection read by the poets themselves.
When you stop by our office (corner of Colorado and Tejon in downtown Colorado Springs, across from McKenzie's in the Plaza of the Rockies), you can also visit the beautiful and serene Call and Response exhibit in the Fine Arts Center MODERN. The exhibit features a number of lovely poems on beautiful handmade paper. There's also an interactive walll where you can contribute your own poetry.
Kevin Johnson, your friendly PeakRadar.com manager, took a great art-lunch tour this week. Check out his posts on twitter by following on @PeakRadar.
This morning I stopped by Celebration Place in the Citadel mall. They have expanded their gallery space into the now-vacant Steve and Barry's across the hall. Pieces from the 47th Annual Young People's Art Exhibition (this week it's K-1; high school entries go on display next week) are now in the huge Steve and Barry's open space. It's a completely refreshing, unexpected place to see artwork. Kudos to the Citadel for letting Imagination Celebration program the space--it seems to me that this could serve as a great example to all the vacant storefronts in malls, downtowns and strip-malls across the country. If you're in the Citadel, make sure you stop in.
These are just a few reminders that art can be found everywhere. It is deliberately and delightfully planned, as above, but it is also in the landscape of the built and natural environment. It is in the design behind our home decor. It is in the clothes we wear. It is in the stories we tell each other and the way that we can make each other laugh.
I'm off to celebrate the life of a person who understood that. Timber was weird, wacky and wonderful. The lesson to the rest of us? Acknowledge the weird, wacky and wonderful inside you and all around you.
Thursday, April 2, 2009
Timber Kirwan, Artist and mischief-maker
The Colorado Springs arts scene suffered another devastating loss yesterday. Timber Kirwan, beloved local artist and downtown icon, took his own life. His whimsical creativity resulted in beloved parties as Santa-con. He created geodesic domes and light installations and had a fondness for fur and costumes. He was a wonderful friend, a jovial person, and his creativity had a real impact on our arts community.
Please click here to join the Friends of Timber group on Facebook.
All of us here at COPPeR send out sincere condolences to all of his friends and family. A strong and vital arts community depends not only on strong arts organizations, but individual artists. Timber was the perfect example of a deeply creative person who naturally brought people together through his artistic expression. He is instantly, deeply missed.
Dealing with suicide is very painful. If you or someone you know is feeling suicidal thoughts, please know that you are not alone.
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